Painter's blog including Residency at Creekside Centre, Deptford Quartrains, Hong Kong and China
Glandore.
On the way home from Skibb. Empty roads, birdsong, lush hedgerows. It was so long since I had driven further than Clon it felt like an odyssey. I stopped off to take this photo. The summer yachts have all disappeared. It was still and quiet in the harbour which would usually have been heaving on a day like this.
Looking out to sea.
Bit by bit I am planting in the flower garden. It is surrounded on three sides by fuchsia so is the only part of the garden with any real protection from the wind, and even so …
One of my favourite jobs in the garden. The weather, after the gale force winds, is lovely so I took the opportunity to mow paths in the orchard grass.
IN THE WOODS
The woods grew deeper and deeper. The red trunks bigger and bigger. Thegreen crowns heavier and heavier. The air darker and darker. The busheslusher and lusher. The mushrooms thicker and thicker. Until there wasnothing but mushrooms to walk on. It was harder and harder for the man to walk, to force his way through without slipping. But on he went anyway repeating faster and faster and over and over the same sentence: – –
The scars that mend
Colours that blend.
To his left and slightly behind him walked a woman. Every time the man finished his sentence, she said with great assurance and rolling her r’s vigorously:
Verrry cleverrrr.
FROM:
KLÄNGE (SOUNDS)
Translated and with an introduction by
Elizabeth R. Napier
Yale University Press
Gale force winds all night and into today. They are just dying down now at 10.45 pm. I took the precaution of tying my new foxgloves to stakes, like one of those old-codger gardeners, and I am very glad I did. On one of my other plants (name unknown) stems had snapped right off.
Not only have we had crazy winds to contend with but the other night farm trailers rattling noisily into the wee hours. They have bright lights too which cast immense shadows and a sudden glaring red light when they thunder past. Not very restful.
Had a very lazy day today. Went into Clon to pick up veg, milk, etc. Then home and read over my writing piece about ‘Summer” – I just wrote about the garden.
Then watched Britten’s Gloriana from ROH. Richard Jones’ production, which I would normally love but thought the production, set in a village hall, too clunky. It must have cost a lot of money to make it look that cheap.
Other than that have just spent two days slogging through my AC application for for project funding. It’s always a soul-destroying exercise and hard work but such a huge relief when it’s all over. If by some major miracle we did get the funding I would be working with B on interviews which would be a treat.
Meanwhile our Memoir writing course is on hold because the tutor does not think Zoom would work for us. Eh? It works perfectly well with Denyse and the other writing group.
An extract from DART There the musky fishy genital smell of things not yet actual: shivering impulses, shadows, propensities, little amorous movements, quicksilver strainings and restrainings: each winter they gather here, twenty seals in this room behind the sea, all swaddled and tucked in fat, like the soul in its cylinder of flesh. With their grandmother mouths, with their dog-soft eyes, asking who’s this moving in the dark? Me. This is me, anonymous, water’s soliloquy, all names, all voices, Slip-Shape, this is Proteus, whoever that is, the shepherd of the seals, driving my many selves from cave to cave … FROM: Dart Alice Oswald Faber and Faber
L'INVITATION AU VOYAGE Mon enfant, ma soeur, Songe à la douceur D'aller là-bas vivre ensemble! Aimer à loisir, Aimer et mourir Au pays qui te ressemble! Les soleils mouillés De ces ciels brouillés Pour mon esprit ont les charmes Si mystérieux De tes traîtres yeux, Brillant à travers leurs larmes. Là, tout n'est qu'ordre et beauté, Luxe, calme et volupté. Des meubles luisants, Polis par les ans, Décoreraient notre chambre; Les plus rares fleurs Mêlant leurs odeurs Aux vagues senteurs de l'ambre, Les riches plafonds, Les miroirs profonds, La splendeur orientale, Tout y parlerait À l'âme en secret Sa douce langue natale. Là, tout n'est qu'ordre et beauté, Luxe, calme et volupté. Vois sur ces canaux Dormir ces vaisseaux Dont l'humeur est vagabonde; C'est pour assouvir Ton moindre désir Qu'ils viennent du bout du monde. — Les soleils couchants Revêtent les champs, Les canaux, la ville entière, D'hyacinthe et d'or; Le monde s'endort Dans une chaude lumière. Là, tout n'est qu'ordre et beauté, Luxe, calme et volupté.
THE INVITATION TO THE VOYAGE
Child, sister, think of the sweetness of going to that far country to live together! To love at our leisure, to love and to die in the country which is like you! The watery suns of those overcast skies have, for my spirit, the same mysterious charm as your killing eyes, shining through their tears.
There, there is nothing but order and beauty, luxury, calm and sensual pleasure.
Shining furniture, polished by the years, would decorate our room; the rarest flowers, mingling their scents with the vague perfume of ambergris; the rich ceilings, the deep mirrors, the oriental splendour, everything would speak to the soul in secret its sweet native tongue.
There, there is nothing but order and beauty, luxury, calm and sensual pleasure.
See, on the canals, the vessels sleeping, their wandering humour stilled; it is to satisfy your every desire that they have come from the ends of the earth. The setting suns clothe the fields, the canals, the whole city, in hyacinth and gold; the world is falling asleep in a warm light.
There, there is nothing but order and beauty, luxury, calm and sensual pleasure.
