Window 135: Inking Up

During the drawing I realised that by using a scalpel on the emulsion I had ended up with a surface that I could take prints off – like a large, shallow woodcut. I decided against using black ink as I wanted an image that was about absence and residue. The prints would also be mirror images of the drawing. The window looked very dark when it was inked up but the prints came off silvery and ephemeral.